OPEN UP YOUR SOUL (Paul Rubin/William Easterling/June Michaels/Elliott Michaels) Slow hard folk-rock in key of D D A G D A G D F#m So you tell me … there's something inside you, Bm It's a feeling you can't share. Em G You say it's growing, keeps you going, A And makes you more aware. F#m Tell me now what's on your mind, Bm And I’ll offer you a hand. C But if you can't put your trust in me, Em A (build) How can I fully understand!? D Won’t you Open Up Your Soul, G D Brothers and sisters, can’t you see? D You gotta Open Up Your Soul, G Em A (build) Sons and daughters, and set it free. D Won’t you Open Up Your Soul, G Bm E7 Friends and neighbors, don’t give up the fight. G A (stop) Open Up Your Soul, the world over, D A G D A G And make it right! D F#m Now you tell me … there’s nothing to hide, Bm But your emotions, nowadays. Em G Well, that just don’t make sense to me, A When you've got so much to say. F#m Something's gotta change along the road, Bm You've gotta give as well as take. C Now it’s time to make your move, Em A (build) Before it gets too late! D Won’t you Open Up Your Soul, G D Brothers and sisters, can’t you see? D You gotta Open Up Your Soul, G Em A (build) Towns and cities, and let it be. D Won’t you Open Up Your Soul, G Bm E7 States and nations, peace is now in sight. G A Open Up Your Soul, the world over, D Bm And make it right! G A (stop) So Open Up Your Soul, across the Universe, D A G D A G And make it riiiiiiiiiiiiiiight! D A G D (hold for coda) And make it riiiiiiiiiiiiiiight! Open Up Your Soul!!!

OPTIONS (Elliott C. Michaels) Moderately slow power-pop in key of D D Bm F#m G It's no secret I've been eyeing your lady for quite some time, A D Bm F#m G But it seems these days she's got nothing but you on her lovin' mind. A Em F#m Well, as long as you're good to her I won't interfere, G G A But if you don't treat her right, let me make myself clear, Bm Em She's got Options ... yes, it's time that you see, Bm Em She's got Options ... I think her best one is me, G F#m She's got Options ... and I'm tellin' you true, Em A Don't ruin the best thing ever happened to you. D She's got a will of her own, Bm F#m G She's strong enough to be flexible and not overbearing. A D She's got the heart of a saint, Bm F#m G For she can handle your worst and still be loving and caring. A Em F#m Yet you keep her at arm's length but cling so tight, G G A Buddy, doin' that to this one just isn't right. Bm Em She's got Options ... yes, it's time you took heed, Bm Em She's got Options ... you'd better follow my lead, G F#m She's got Options ... man, you're losin' your grip, Em A You oughta take my advice or else you're sure gonna slip. F#m Now, I don't have your money or your dashing good looks, Bm And I don't drive a fancy car, F#m But I know how to satisfy a first-class woman, Bm And that's more important by far! F#m I know you and your lady perceive me as crazy, Bm And she barely knows I'm alive. Em But you heard it right here, you'd better treat the girl dearly, G A Or your love ain't gonna survive! Bm Em Bm Em She's got Options! ... Oh, yeah! G F#m Em A D Bm Now, when a girl comes along like the one you're with, F#m G Why would you take her for granted? A D Bm A lady like that could make you happy for life, F#m G How come you don't understand it? A Em F#m I can't stand by idly while you treat her this way, G G A For she deserves so much more and I've got something to say. Bm Em She's got Options ... yes, it's time that you knew, Bm Em She's got Options ... and yours are just about through! G F#m She's got Options ... I'm movin' in for the kill, Em A And I'm gonna prove that I love her for real. Bm Em She's got Options ... and now she's opened her eyes, Bm Em She's got Options ... she's gonna exercise! G F#m She's got Options ... it's time to make up your mind, Em A For she's about to come with me and leave you behind. Bm Em Bm Em She's got Options ... Options ... Options ... hear what I say, Bm Em Bm Em (hold for coda) She's got Options ... Options ... Optio-o-o-o-ons!

G A L L E O N (Steve Rondell/Mark Filowitz/Scott Tuchband) Moderately fast hard rock in key of F#m F#m D E F#m F#m D E F#m (Hook: C# E F# A G# F# E F#) F#m Sailed across the seven seas, D E F#m Grinned upon white gulls of freedom, F#m Searchin' ... for a gem called peace, D E F#m In a rootless, floating fantasy. E F#m Zanzibar ... was a far cry from the North! E F#m And Asia's as old ... as the New World is young! F#m D E F#m On a Galleon we lived ... two hundred men strong. F#m D E F#m Together we sailed ... strung out on the ocean! E F#m Winds cut our masts ... the skies, they are blackened. E F#m Our ship takes in sea ... water in the hold grows deeper. A D But look there in the distance ... a strong Galleon lay. A D D (3) Amid the crashing waves ... lads, she's coming our way. A D When she comes for the rescue, we'll take over the crew, E D C G A And with sabres held high, yeah, we'll sail on anew. C G A C G A A B C# We'll sail on anew ... we'll sail on anew ... oh, oh, oh, yeah! (Hook) Lead break: F#m D E F#m (4x) F#m Take supplies from the mother country, D E F#m From France we'll take gold, F#m And make camp on the Spanish coast, D E F#m With our Galleon of old! E F#m Winds cut our masts ... the skies, they are blackened. E F#m Our ship takes in sea ... water in the hold grows deeper. A D But look there in the distance ... a strong Galleon lay. A D D (3) Amid the crashing waves ... lads, she's coming our way. A D When she comes for the rescue, we'll take over the crew, E D C G A And with sabres held high, yeah, we'll sail on anew. C G A C G A A B C# We'll sail on anew ... we'll sail on anew ... oh, oh, oh, yeah! C# D A E B G# (4x) C# (hold) (Hook) F#m (hold for coda)

L O S T L O V E ‘ S L. A. M E N T (L.A. Russell/E.C. Michaels) (Folk-rock in key of G (32 bars per minute) Intro: G D C D G D C (full bar) D (full bar) G D C D G D C D Who’ya gonna love, baby now? G D C D G D C D Who’ya gonna love, baby now? G D C D C D I toss and turn, I can’t sleep a wink, and I keep on wonderin’, G D C D G D C (full bar) D (full bar) Baby, who’ya gonna love, baby now? G D Em You used to whisper sweet nothins, baby, G D Em And your kisses and caresses nearly drove me crazy. C Bm Am You knew-ew-ew-ew, I loved you so, G D Which is why I cannot understand why you had to go. G D C D G D C D Tell me who’ya gonna love, baby now? G D C D G D C D Who’ya gonna love, baby now? G D C D C D I feel so parched, like a desert flower without any water! G D C D G D C (full bar) D (full bar) Baby, who’ya gonna love, baby now? G D Em Whenever you needed me, I gave you my all, G D Em I would always be there at your beck and call, C Bm Am For your loving I would gladly do your dirty work, G D Never asked for a dime, not a dime; your love was my only perk. G D C D G D C D So tell me who’ya gonna love, baby now? G D C D G D C D Who’ya gonna love, baby now? G D C D C D Why would you leave me in despair, I keep on wonderin’, G D C D G Baby, who’ya gonna love, baby now? Bm Em Underneath my skin, you’ve gone; Bm Em I feel so lost since you left me all on my own. Bm C What did I do or say to make you stray? F Am/E D (2 bars) How could you just choose to walk away? Lead Break: G D Em (2 bars) G D Em (2 bars) C Bm Am You knew you were my tiger love, how I needed you so, G D Honey, why, oh why, oh why, oh why did you have to go? G D C D G D C D Tell me who’m I gonna love, baby now? G D C D G D C D I said, who’m I gonna love, baby now? G D C D C D Angels cry from Heaven above, they keep on wonderin’,   G D C D G D C D Baby, who’m I gonna love, baby now? G D C D Baby now … G D C (full bar) D (full bar, slow) G (hold for coda) Baby now!

PONYTAIL BLONDE (John Grant) Fast rock/country in key of A A Oh, if I had one wish, just one, A I would have a Ponytail Blonde, A D A I would have a Ponytail Blonde tonight ... that's right. A But when I meet a Ponytail Blonde, A I'd just bet she has her someone, A D A I'd just bet she has her someone tonight ... that's right. E And if I had a million bucks, I trade it in for a pickup truck, E D G D A pickup truck and a wish that would come true. A And if I had that wish, just one, A I would have a Ponytail Blonde, A D A I would have a Ponytail Blonde for me ... to please. A But when I meet a Ponytail Blonde, A I'd just bet she has her someone, A D A I'd just bet she has her someone like me ... to please. E And if I had a dollar bill, I'd trade it in and I'd make a deal, E D G D Make a deal for a wish that would come true. A D D G E A But I can't hesitate, or I might be too late to make it true. F#m And though I don't have me no wishing well, A I've found me a gal with a ponytail. F#m D A E I've found a gal who never fails to please ... me. A So, if you meet my ponytailed one, D A You can bet she has her someone, D A A7 D A You can bet she has her someone tonight ... that's right, D A D G A For life ... that's right! A (hold for coda) Ooooooh!

ROCK & ROLL STILL MATTERS (June E. Michaels/William A. Easterling/Elliott C. Michaels) Moderate rock & roll (128 beats per minute) A E A E A E I fell in love with rock & roll when I was just a lad, Bm F#m E I still play the first guitar that I ever had. A E Rock & roll and me, you might say we grew up together, Bm F#m E Rock & roll truly saved my soul through all kinds of weather. D A Oh, I believe that rock & roll is the voice of today's human race. D E And rock & roll is more to me than just another pretty face. D A I will always yearn for those old rock radio stations. G Bm E The feeling this music gives me is such an inspiration! F#m E D Rock & Roll Still Matters to me, Bm E That hard-driving rhythm sets my soul flyin' free, F#m E D Music opened my eyes and made me see, Bm E A That Rock & Roll Still Matters to me! G F#m I don't listen when they say, "Oh, rock is just so yesterday! F And power chords are so passe, Esus4 E A E A E And using real instruments just ain't the way to play!" A E The music on the dial today sounds so stale, timid and vile! Bm F#m E The rock & roll of days gone by has it beat by a mile! A E The tunes I cut my teeth on never fail to make me smile. Bm F#m E They take me right back to the days when we were young and wild! D A Oh, I believe that hip-hop and jazz fusion just don't mean a thing. D E Just give me hot sweet rock & roll that I wanna play and sing. D A The other stuff's all well and fine but not for this rockin' man. G Bm E It's time for us rock warriors to make our fearless stand! F#m E D Rock & Roll Still Matters to me, Bm E Those power-driven chords set my soul flyin' free, F#m E D Music opened my eyes and made me see, Bm E A That Rock & Roll Still Matters to me! C#m F#m Rock & Roll Still Matters, from Floyd and Coldplay to the Platters. D When I say I'm gonna rock you, baby, E You know I ain't saying maybe! F#m B7 Don't keep your feelings on the shelf; go ahead and express yourself; D E A E A E 'Cause Rock & Roll Still Matters ... to you! ... and me too! A E Bm F#m E A E Bm F#m E D A Oh, I believe that rock & roll was never part of any sinister plot. D E It's just a way to make people happy right on the spot. D A It gives a sweeter high than I ever felt after smoking pot. G Bm E So let's get up and dance and clap our hands and give it all we've got! F#m E D Rock & Roll Still Matters to me, Bm E The message in the lyrics sets my soul flyin' free, F#m E D Music opened my eyes and made me see, Bm E A That Rock & Roll Still Matters to me! F#m E D Rock & Roll Still Matters to me, Bm E Those fired-up singers set my soul flyin' free, F#m E D Put it all together, it's as great as can be, Bm E A Oh, Rock & Roll Still Matters to me! Bm E A Yeah, Rock & Roll Still Matters to me! Bm E A E A E I said, Rock & Roll Still Matters ... to me! A (hold for coda) ... Oh, yeah!

PARTING SHOT (Elliott C. Michaels) Folk-rock in D (30 measures per minute) D A7 D D G I still remember long ago, when we began this mad affair, D A We thought the world was ours to take, but then, what did we know? D G And now it's time to face the fact that we have nothing left to share, D A7 D It's all over, so just accept it and let it go. D G I gave it everything I had, and perhaps you did the same, D A But now our love has drifted away like a leaf in a river's flow. D G No cause to argue who's at fault, no need to hang your head in shame. D A7 D It's simply over, so don't be bitter, just let it go. Bm F#m They say that if at first you fail, you should try and try some more, G A But when something's wrong it's wrong, and it's not worth fighting for. D G Our love was once a shining ray, but now there's darkness head to toe, D A7 D It's all over, why throw a tantrum? Just let it go. D G D A D G D A7 D Bm F#m They say that everything must change, but you know it's not that way, G A Because when something's wrong it's wrong, and it's best to call it a day. D G Let's forge ahead and not look back, and maybe then we both can grow. D A7 D G It's all over, cut out the swearing, and let it go, oh, yeah. D A7 D D (hold for coda) It's finally over, so stop your crying, and let it go! Let it go!